A fresh decorative geometric grotesque with a hint of Art Deco and constructivism. Poiret One is a unique typeface with light forms and pure elegance. Sleek and simple. Based on geometric forms, it has stylish lines and graceful curves. The font is applicable for large signs, labels, titles, headlines and any type of graphic design on the web, in motion graphics, or in print - from t-shirts to posters and logos. It is also well-suited for short texts and advertising where style is desired. Complete with a lower-case letters, the Poiret One is also useful for all-caps usage.
Thursday, 26 April 2012
Point to Poirot
A fresh decorative geometric grotesque with a hint of Art Deco and constructivism. Poiret One is a unique typeface with light forms and pure elegance. Sleek and simple. Based on geometric forms, it has stylish lines and graceful curves. The font is applicable for large signs, labels, titles, headlines and any type of graphic design on the web, in motion graphics, or in print - from t-shirts to posters and logos. It is also well-suited for short texts and advertising where style is desired. Complete with a lower-case letters, the Poiret One is also useful for all-caps usage.
Veneer Font
Veneer from Yellow Design Studio
is a high resolution hand-crafted letterpress font that’s vintage and
authentic with a touch of grunge. It’s highly customizable with six
distress options for every letter and three for all other characters,
and because it’s remarkably detailed, it looks great even at very large
sizes. In addition it includes a matching set of funky extras…for free!
The Veneer family includes Veneer, Veneer Two, and Veneer Three with Veneer containing the least distressed characters and Veneer Three the most. Mix and match as desired to create realistic letterpress type.
Veneer is available in cross-platform Opentype/Truetype format, compatible with all operating systems including Mac, Windows, and Linux. Because of Veneer’s high level of detail, it may process more slowly in some applications.
The Veneer family includes Veneer, Veneer Two, and Veneer Three with Veneer containing the least distressed characters and Veneer Three the most. Mix and match as desired to create realistic letterpress type.
Veneer is available in cross-platform Opentype/Truetype format, compatible with all operating systems including Mac, Windows, and Linux. Because of Veneer’s high level of detail, it may process more slowly in some applications.
Everything is going to be alright
Alright Sans is a contemporary sans-serif with a clean, prudent voice that avoids looking stiff or bland. Actually, it has just the right amount of warmth to convey a serious-yet-friendly tone. It has an open structure with shorter-than-normal capitals and a large x-height, giving it a roundabout economy that works exceptionally well across all media, in both large and small sizes. It’s extensive character set, rich OpenType features, and wide range of weights makes it a reliable and versatile workhorse.
Spider Type
Spider Type is a handmade eps font. The project was made guide of
helvetica-bold and it is free for personal and commercial use.
My biggest fear is spiders but I have to admit, this font is pretty cool.
My biggest fear is spiders but I have to admit, this font is pretty cool.
Typography in Ice
Really neat way to showcase this font, Trump Gothic. The designers, YouWorkForThem, literally froze the type face which turned out really cool, adding natural texture to the font rather than using computer generated textures. Which don't always look appealing.
Check it out.
Check it out.
Earth Font???
Rhett Dashwood has spent his spare time from October 2008 to April 2009 searching Google Maps in hopes of discovering land formations and buildings resembling letterforms. These are the typographic landscapes he has spotted in Victoria, Australia. Rhett works as the Director of Wade in Melbourne, Australia and is the founder of the online creative resource Heavy Backback.
More than meets the eye
His experimental typographic project “The Depth of Typography” challenges the assumption that type is flat and only viewed from a single vantage point. His glyphs bend and twist through space, creating abstract sculptural forms. However, when viewed from face on the traditional typographic form is maintained.
BetaType presents Apertura
Scanning the web I found this new font that still in its final stages called "Apertura". Found on betatype.com, this font is very readable as a body copy font, yet pops off of the page are a title font. I think this one needs to be added to the collection immediately.
Limited Edition Typography Scrabble
"The purpose of this project was to revive an old, but loved game. The
idea was to excite people about typography by giving them the ability to
choose what font their Scrabble set would come in. The game board and
interior box are made out of solid walnut, and the exterior box is made
out of solid birch. Each of the 6 board pieces is magnetized to fit
together perfectly and each piece slides nicely into its respective slot
in the box and is secured by interior magnets as well. The interior of
the exterior box as well as the bottoms of the 6 board pieces are lined
with cork, to protect them while in use. 1,200 limited edition signed
and numbered sets are available"
Available here: http://www.winningsolution.com/premium-games-for-sale/scrabble-typography-edition/
Available here: http://www.winningsolution.com/premium-games-for-sale/scrabble-typography-edition/
Print is back, back, baby!!!
In print design, typography is one of the more crucial aspects. Typography is essential the practice of organizing, arranging, and modifying type. The typography techniques uesed in print has a direct impact on how the reader is able to receive the image. In print, typography doesn’t have to be plain and boring. It can be beautiful, creative, and colorful. There are a number of ways to liven up typography, such as creative and original layouts, using color variations, use of fancy fonts, and much more. Here is one design made beautiful through the use of of a clean, sans serif font.
http://www.redbubble.com/shop/sans+serif+posters
Some simple, yet interesting posters showcasing some of the most popular sans serif fonts, Id love to get my hands on a couple of these!
Some simple, yet interesting posters showcasing some of the most popular sans serif fonts, Id love to get my hands on a couple of these!
Swiss Style
Emerging from the modernist and constructivist ideals, the Swiss Style can be defined as an authentic pursue for simplicity – the beauty in the underlines of a purpose, not beauty as a purpose in itself. The principle “form follows function” became a battle-cry of Modernist architects after the 1930s. As a consequence of this principle, most of the Swiss Style craft is devoted to the minimal elements of style such as typography and content layout rather than on textures and illustrations.
Did you say humanity or humanist?
These are Sans faces that are derived from handwriting, as clean and modern as some of them may look, they still retain something inescapably human at their root. Compare the ‘t’ in the image above to the ‘t’ in ‘Geometric’ and note how much more detail and idiosyncrasy the Humanist ‘t’ has.
This is the essence of the Humanist Sans: whereas Geometric Sans are typically designed to be as simple as possible, the letter forms of a Humanist font generally have more detail, less consistency, and frequently involve thinner and thicker stoke weights — after all they come from our handwriting, which is something individuated. At their best, Humanist Sans manage to have it both ways: modern yet human, clear yet empathetic. At their worst, they seem wishy-washy and fake, the hand servants of corporate insincerity.
Examples of Humanist Sans: Gill Sans, Frutiger, Myriad, Optima, Verdana.
typography and space
There is always something interesting about a typeface that is created of a material other than pixels and ink. They are the same tangible symbols but become something you can touch, and feel, and that take up 3 dimensional space. Here are a few example of 3 dimensional typeface created with selected material to enhance it's and change its overall 'feel' and essence in space.
Monday, 16 April 2012
Most Hated Sans Serif Fonts
“The AOL of fonts”
“Comic Sans is the dirt bastard of the design world.”
“An e-mail written in this font makes the sender seem ridiculous and out of touch.”
“I honestly think when I see Comic Sans that the person has a lower than average intelligence level.”“It’s not that it’s a terrible font – it’s rather that it suits non-designers far better than those with a sense of the aesthetic would like.”
“Comic Sans is the dirt bastard of the design world.”
“An e-mail written in this font makes the sender seem ridiculous and out of touch.”
“I honestly think when I see Comic Sans that the person has a lower than average intelligence level.”“It’s not that it’s a terrible font – it’s rather that it suits non-designers far better than those with a sense of the aesthetic would like.”
“So 1950′s”
“Arial is little more than a shameless impostor.’”“Arial’s ubiquity is not due to its beauty. It’s actually rather homely.”If you’re working in a medium where you’re not restricted to certain fonts, and you’re considering using Arial – don’t.”
“Arial is the poster child for the general typographic decline of the late twentieth and early twenty-first centuries.“
“Arial is little more than a shameless impostor.’”“Arial’s ubiquity is not due to its beauty. It’s actually rather homely.”If you’re working in a medium where you’re not restricted to certain fonts, and you’re considering using Arial – don’t.”
“Arial is the poster child for the general typographic decline of the late twentieth and early twenty-first centuries.“
“Very corny and boring”
“I just avoid when I can.”
“It’s simply bad, ugly and makes me nervous when I see it.”
“I cannot look at Times New Roman without automatically assuming that it is a placeholder font, waiting to be replaced by something appropriate for the text.“
“I just avoid when I can.”
“It’s simply bad, ugly and makes me nervous when I see it.”
“I cannot look at Times New Roman without automatically assuming that it is a placeholder font, waiting to be replaced by something appropriate for the text.“
“Brush Script is a useful tool for identifying morons. It is the typeface equivalent of the backwards worn baseball cap.”
“dull, unimaginative, plain”
“Courier always reminds me of sending a job to the printer and forgetting to include the fonts.”
“Courier always reminds me of sending a job to the printer and forgetting to include the fonts.”
“Papyrus: The official cool font for those who know nothing about typography.”
“I was an early user of Papyrus. I used it a lot for a long time. These days I hate it just like the rest of you.”
“When I visited my brother in South Dakota last year, nearly every billboard or pamphlet at the Rushmore Memorial Center used Comic Sans or Papyrus…. Ugh, barf.”
“I’m branding myself with this font. My website has to be in Papyrus! The text and everything!”
“I was an early user of Papyrus. I used it a lot for a long time. These days I hate it just like the rest of you.”
“When I visited my brother in South Dakota last year, nearly every billboard or pamphlet at the Rushmore Memorial Center used Comic Sans or Papyrus…. Ugh, barf.”
“I’m branding myself with this font. My website has to be in Papyrus! The text and everything!”
“I hate Helvetica. It is everywhere. No more Helvetica please!!!!! It is sooooooo boring.”
“I have never used it because of its stiff and kind of aseptic character.”
“Helvetica is the Bluejeans-Sans Serif for the daily worker.”
“I have never used it because of its stiff and kind of aseptic character.”
“Helvetica is the Bluejeans-Sans Serif for the daily worker.”
Other fonts that get on some people’s nerves include Avant Garde, Curlz MT, DIN, Hobo, ITC Garamond, Optima and Souvenir.
A special mention should go to freeware fonts in general. There are beautifully designed typefaces that you can download for free but there is also a lot of crap with incomplete character sets or badly drawn glyphs.
Of course a careless designer can make any text or typeface appear bad.
“There are no bad typefaces, just bad designers”
“Hello, my name is David and I am a font abuser…”
“The fonts aren’t the problem, it’s the idiots using them badly that make us all cringe”
“Hello, my name is David and I am a font abuser…”
“The fonts aren’t the problem, it’s the idiots using them badly that make us all cringe”
Some photos on type
What some famous logos would look like in Comic Sans
Some nice use of type and design on this brand
Use of minimalism on package design
Interesting Calendar
Funny Wondermark comic on typography
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